Andreas Patzelt
‘Sitzender akt’ (‘Sitting nude’)‘Nazi porn’, in the view of the Americans.After the war, a considerable number of works of art were confiscated (and/or destroyed) by the Americans because of  
‘Sitzender akt’ (‘Sitting nude’)‘Nazi porn’, in the view of the Americans.After the war, a considerable number of works of art were confiscated (and/or destroyed) by the Americans because of  
‘Sämann’ (‘Sower’)Displayed at the GDK 1939 room 19.Displayed at the ‘Herbst-Ausstellung’, 1942, Preussische Akademie der Künste, Berlin. Single unique cast, with the core still inside&nbs
‘Drachenkampf’ (‘Dragon fight’)Design for a war bond.Original large drawing, created in 1917.World War I was the first war in which posters, along with postcards and movies, played a dominant role in
‘Weisse Rosen’ (‘White Roses’) This is probably an early work (but one of his best!) of Anton Müller Wischin, before he made a career in the Third Reich and became a wealthy man. The beautifully
‘Verliebtes Mädchen’, 1977 (‘Girl in Love’)Nr. 004.
– condition
: II
– size
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‘Frau in Blauem Tuch’ (‘Woman in a Blue Shawl’)The oak leaves are a traditional German national symbol associated with patriotism and military prowess.Displayed at the ‘Frühjahrs-Ausstellung, Pr
‘Junge Bäuerin’ (‘Young farmer woman’) Date of creation: 1927. Later Padua had many similar works in the Great German Art Exhibitions. For example: ‘Bauernbub’, ‘Kopf eines
‘Kentaurenschale’ (‘Bowl with Centaurs’ or ‘Fertility Bowl’)Bronze, created in 1901.A cast of ‘Kentaurenschale’ by Lederer in the possession of the Nationalgalerie Berlin; bought at the Gros
‘Bismarck Shield’ (‘Bismarck mit Siegerkranze’) Cast by Carlshütte Delligsen.Large cast-iron relief measuring 77 x 76 cm.Weighting 16 kg. Date of creation around 1890.Designer: August Lehme
‘Blumenpflückerin’ (‘Donna che coglie Fiori’, or ‘Woman picking Flowers’) Displayed in 1943 at the exhibition ‘Düsseldorfer Künstler in Florence’: the ‘Esposizione d’arte contempora