Adolf Reich
‘Crossing the Dnjestr River’This painting by Adolf Reich, one of his first works as regiments-painter, was printed on a full page in the ‘Österreichs Illustrierte Zeitung’, a weekly magazine bas
‘Crossing the Dnjestr River’This painting by Adolf Reich, one of his first works as regiments-painter, was printed on a full page in the ‘Österreichs Illustrierte Zeitung’, a weekly magazine bas
‘Wisentstier’ (‘Bison’)A sculpture of the bison was displayed in the Great German Art Exhibition in 1938, in room 6 (left in the picture hereunder). One copy was purchased for 1,000 Reichsma
‘Förster’ (‘Forester’)Created 1937.’Förster’, a portrait with a background of hilly agricultural land, is a typical depiction of Adolf Wissel (see, for example also ‘Jungmädel’ and his self-portrai
‘Pelikangruppe’ (‘Pelicans’)A cast of ‘Pelikangruppe’ was displayed at the GDK 1938, room 29, and at the ‘Frühjahrs-Ausstellung, Preussische Akademie der Künste’, 1939.One other cast -also
‘Im felde Unbesiegt’ (‘Undefeated on the battlefield), 1918Dolchstoss Legende (Stab-in-the-back myth)The Dolchstoß Legende is the notion, widely believed in right-wing circles in Germany after 1
‘Mountain River’ (‘Reißender Gebirgsfluss’)
– condition
: II
– size
‘Sitzender akt’ (‘Sitting nude’)‘Nazi porn’, in the view of the Americans.After the war, a considerable number of works of art were confiscated (and/or destroyed) by the Americans because of  
‘Bergkreuz im Karwendel’ (‘Karwendel Mountains’)The painting shows in the background the Karwendel, a rocky mountain formation in Tirol, Austria, near the German border and close to Mittenwald, where
‘Mutter mit Kind’ (‘Mother with Child’)Displayed at the Sächsiche Kunstausstellung Dresden, 1934.’In meinem Staat ist die Mutter die wichtigste Staatsbürgerin’Adolf Hitler, speech to the Nation
‘Eifel Landscape’ (‘Eifel Landschaft’) This painting by Werner Peiner depicts the farmland of the Eifel, which was also the subject of the famous paintings ‘Deutsche Erde’ and ‘Grosse Herbstland